but soon to be replaced by my new book
Review of Alchemy and the Tarot by Paris Finley
Building on work begun in The Tarot: History, Symbolism, and Divination, Robert Place offers the story of his search for meaning in the work of the alchemists, the ancestors of today’s doctors, chemists and physicists. By weaving his personal story in with the information he has unearthed, he creates a compelling narrative that has the excitement of detective fiction woven with a respectful and careful examination of historical clues.
The alchemical view, “that the world, including rocks and minerals, is alive and that all living things share a common purpose–the desire or need to evolve into a higher state of being” is likely to resonate with readers in search of meaning in an increasingly detached and digital lifestyle. His narrative includes, as we would expect, an examination of the hermetic tradition, but it also draws lines connecting Jung, the Rosicrucians, and modern physicists in a section Place labels a “revival” of alchemical interest.
The book adds new information to our search for the origins of Tarot, features Place’s extraordinary work in examining the drawings and artwork in museums and libraries, and includes a detailed explanation of the work and meaning underlying Place’s The Alchemical Tarot.
Finally, for me, the most important contribution he makes is the careful teasing-out from the alchemical history of a process of self-transmutation and the inclusion of exercises that the modern reader can adopt that will facilitate that same process in all of us.
Review of Alchemy and the Tarot by Bonnie Cehovet
This is a long awaited book for many of us in the Tarot field. Acting as an updated companion to all editions of the Alchemical Tarot, it also addresses the historic connection between Alchemy and the Tarot. As in all of his work, Place’s personal story is woven into the process. (I believe that for all of us, our personal story is the foundation for the work we do, and that it is what drives us, not the work itself.) Part of Place’s story is that he is an internationally recognized artist, author, and scholar of the western mystical tradition. His work includes the “Alchemical Tarot”, the “Tarot of the Sevenfold Mystery”, the “Angels Tarot”, the “Tarot of the Saints”, the “Buddha Tarot”, and the “Vampire Tarot”, as well as “The Tarot: History, Symbolism, and Divination”, “Astrology and Divination”, “Shamanism”, and “Magic and Alchemy”.
It is interesting to check out Place’s website– the name is not a fluke. Here is what he says:
“The “Ovum Philosophicum,” which can be translated as the Philosophical or Alchemical Egg, is the principal vessel used in alchemical operations. During the alchemical process, the material, Hermetically sealed in the Egg, is put through a symbolic death and rebirth. When the Egg was cracked, a new mystical substance emerged which was an elixir that prolonged life and acted as a catalyst capable of improving any substance that it came in contact with. This substance, called the Philosopher’s Stone, could change lead into gold and change an ordinary person into an enlightened master.” A significant “Aha!” experience happened to Place in the summer os 1987 – as he was studying an illustration of the Philosopher’s Stone in an alchemical book that he was reading. He came to the realization that the symbolism of the design for the Philosopher’s Stone was entirely interchangeable with that of the World card in the Tarot. He came to realize that the Tarot Trumps represent the alchemical Great Work.
In this book Place does indeed discuss the alchemical symbolism of each of the cards in the Alchemical Tarot. He prefaces this with investigation into the history of alchemy, and the history of the Tarot. We will need to look at both histories to see why there is a connection between the two, and how we can gain deeper insight into the Tarot’s mystical secrets.
In his introduction, Place describes a dream that he had, a dream with great portent. He was told that he was receiving an inheritance from an ancestor, and that it was a powerful tool that needed to be used wisely. That inheritance turned out to be a Tarot deck – the Tarot of Marseille, to be precise. This lead to his purchasing the Waite-Smith Tarot, a deck that one of his friends had shown to him. Place saw these decks in an interesting way – as tools for creating a message in pictures that could be interpreted as a dream – a waking dream. He quickly realized that he needed to gather all of the information that he could related to the themes he saw in the illustrations.
He approached Gnosticism, alchemy, Neoplatonism, and related subjects. In time, he heard a radio commentator discussing the Harmonic Conversion, and how during this period of spiritual transformation sensitive individuals all over the world would be experiencing a flood of information on spiritual subjects. He recognized himself, and what he was experiencing!
Place notes that the work he was doing was guided by spontaneous magical coincidences. It lead him to his writing partner (Rosemary Ellen Guiley), his first publisher (Harper Collins), and has kept his deck (the “Alchemcial Tarot”) in the public eye since its inception. He credits the Anima Mundi with his flow of success, as it is speaking through the cards, and not him.
Place is known for his ability to research, and this shows up well in his chapters on the history of alchemy and the history of Tarot. In the history of alchemy, he covers things like the same symbol meaning different things in different texts, alchemy’s Egyptian origins, the myth of Osiris, Greek alchemy. Hermes Trismegistus, the Seven Hermetic Concepts, the Emerald Tablet, Arabic alchemists, European alchemists, Renaissance alchemy, the Rosicrucians, Jung and Psychological alchemy, and much more. All of which is accompanied by beautiful illustrations from ancient texts.
In Chapter Two we move on to the basic concepts of alchemy, including the numerical symbolism, the ,the Zodiac, and an Alchemical Mandala. As with the previous chapter, beautiful illustrations from ancient text are included. These two chapters alone give the reader an amazing schooling in the alchemical world!
Chapter Three presents the history of Tarot, from it introduction into Europe, the suit symbols as they varied from country to country, the early Italian decks, the creation of the occult deck, the Waite-Smith deck,
Chapter Four covers interpreting the allegory – the memory arts, the Trionfi, the three-fold allegory of the trumps (the three by seven theory), and the alchemical trumps.
Chapter Five covers the Minor Arcana. Place brings up something very interesting – that there are three ways of interpreting the Minor Arcana: (1) the four suit symbols and their associations, (2) symbolism stemming from the teachings of Pythagoras that are associated with the first ten numbers, and (3) the code of chivalry expressed in the hierarchy of the royal cards. There is quite a bit of interesting thought in this chapter, including a graph that correlates the suits with Jung’s four functions of consciousness.
Chapter Six takes us into the Major Arcana, or the cards of the Opus. Each of the cards shows a black and white illustration, a relevant quote, and a discussion of the symbols of that card as rendered in the “Alchemical Tarot”.
Chapter Seven moves into the cards of the four elements (the four suits). Each of the cards again shows a black and white illustration, along with a discussion of the card, and the symbolism as seen in the “Alchemical Tarot”.
Chapter Eight takes us into the area of divination, broken down into three types: (1) intuitive (dreams and visions), (2) inductive (omens), and (3) interpretive (lots). Place uses three cards in each position, reading them as a statement, or story. He points to the three-fold structure as having archetypal significance – to the Pythagoreans, three defined the points necessary to make the first geometric form, and begin creation.
Place goes into depth on the seven patterns of a three card reading (linear, choice, meeting, central origin, central destination, central problem, and central teacher. He then presents a relationship reading, and a transmutation reading, using this method.
This is a working “bible” for the “Alchemical Tarot” decks, as well as a research quality book for both alchemy and the Tarot. The presentation of reading with three cards is a huge bonus, and not to be taken lightly! I highly recommend this book as an excellent addition to any Tarot (or esoteric) library.
© Bonnie Cehovet